Unsent Letters (2023)
dblspce, Singapore

A brief and silent encounter, the showcase presented a reconfigured installation of selected works and objects produced and collected over a period of 15 years. These fragments and relics serve as intimate whispers and confessions, of departures and lost relationships. Each object speaks of a certain longing, yearning and tenderness. This work was part of the event, ‘Walk Walk, Don’t Run’, organised by independent art space Grey Projects.

Veiled Intimacies (2021)
dblspce, Singapore

This solo showcase presents early textile explorations, offering a collection of carefully crafted silhouettes and reimagined garments that carry deep personal stories. These garments invite viewers to contemplate themes of loss and intimate relationships.

怀移 (2018)
Zarch Gallery, Singapore

Staged within an architectural studio, the site-specific performance-installation '怀移' (pronounced phonetically as 'huái yí' and resembling 'suspicious' in Mandarin), directly translates to 'embracing a shift, was guided by the interplay of duality—between absence and everyday discourse. Each day, a letter was dispatched to the site, where the gallery sitter would unseal its contents and decide whether to exhibit it. Over the course of 12 days, an imagined space emerged, paradoxically embracing the void.

Unsent Letters (2017)
OUTSIDER (Fashion Art Festival), Singapore

The collection was inspired by unsent letters produced over a period of eight years. Each piece reflects a certain a state of longing, preserving memories and stories, as the letters were sent into an emptiness.

Eulogy (2015)
Onlewo/ Flaneur Gallery, Singapore

In this collaborative exhibition, the installation presents distinct perspectives from each artist and the intriguing intersection where both narratives converge. They pay homage to the individuals and items they've lost during their personal domestic journeys, using this shared space as a meeting point to recontextualise these recollections within each other's stories. The exhibition opened with a poem read by Singapore Poet, Cyril Wong.

The Line (2014)
NAFA Gallery , Singapore

The site-specific installation is positioned facing southeast: the direction towards Loughborough, United Kingdom. The reflective surface stained with sand-blasted texts serves as a drawing point, inviting the viewer to walk towards the suggested destination.

DRAINED (We Can Never Be A-part) (2008)
Sculpture Square and various sites, Singapore

Extended and developed over a year, DRAINED is iterated in three forms – firstly a performance, a video, followed by an installation.

The 5-minute performance video embarks on a metaphorical journey that explores the act of "washing". This act symbolises the creation of an intimate and contemplative distance between the one doing the washing (the thinker) and the book itself, which serves as a representation of thoughts and ideas. This exploration unfolds with imagination and empathy, allowing us to contemplate the paradox at its core. The physical remnants encourages one to reconsider the intricate relationship between form and content.

State of Mine (2008)
tickleart, Singapore

This public presentation seeks to situate the individual within the broader social context. Designed like a conventional apartment, each "room" is meticulously crafted and thoughtfully conceptualised to depict the paradoxical and contradictory aspects of everyday life in the local context. Spectators are encouraged to take a glimpse inside this apartment and engage by responding to questions through text messages.